The UK Scriptwriters Survival Handbook

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Do you have this?

I do.

Have you read it?

I have.

It’s a strange book, isn’t it? Odd, one might say.

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Okay, yes it’s packed full of really useful and interesting information about living and working as a scriptwriter in the UK.

Yes, it’s easy to read and well laid out with handy tips on a wide range of pertinent and fascinating subjects including, but not limited to, planning your career from the get go, finding unique opportunities and how to manage your money.

And yes, it avoids adding to the increasingly teetering pile of ‘How to write screenplay’ books written by people who feel failing to sell a script somehow qualifies them to teach other people how to write. Instead it bucks the trend by being written by Danny Stack and Tim Clague, two working scriptwriters who assume you know all about the writing part and just want to know what the job actually is and how to grow a career.

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That’s all well and good. Great even.

But where it falls down is in one basic, fundamental area. An area I’d assumed everyone understood was a foregone necessity whenever discussing the business and life of scriptwriting in the UK …

Namely, there’s no ‘me’ in it.

Sociopath

I know, shocking.

None at all. I’m not featured or quoted in the book at all.

No pearls of wisdom produced by my super-trick brain adorn this book.

No genius utterings of the kind instantly scribbled down for posterity by the gaggle of admirers who follow my every move in the hopes of learning the secret to my awesomeness.

awesomesauce-instagram-obsessionsporchdrinking-com-vyhhyc-clipart

Not even a passing nod to how I fundamentally changed the scriptwriting landscape in the UK merely by my existence.

Nothing.

Not a single word.

Which is weird, isn’t it?

I mean, they’ve got a foreword written by some bloke called Tony Jordan … whoever he is?

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They’ve got (what I’ll begrudgingly admit) are fantastic nuggets of advice from such writing luminaries as Michelle Lipton, Phil Ford, Barbara Machin, Debbie Moon, James Moran and Anthony Mingella … some of those people have done quite well for themselves, in a cute sort of way.

But nothing from me.

I  know! I’m as flabbergasted by this as you are.

flabbergasted

I can only assume there’s a part two coming which is entirely based on my own peculiar brand of wit and wisdom, I mean … there’s no other excuse, is there?

To rectify this horrifying situation, I’ve created this special version of the last page for you. Simply download this image, print it out and stick it in your own version of the The UK Scriptwriter’s Survival Handbook:

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Or, if you have a filthy eBook version of this (why? Why would you want that? Oh, saving the trees are you? Fuck the trees! You can’t read your fancy eBook in the bath, can you? … What’s that? Waterproof ereader/phone? Books aren’t waterproof anyway? Well … yes, but … shut up) then why not print the page out anyway and glue it to the back of your Kindle/phone/magic word portal and then you can imagine you bought a proper copy.

If you haven’t got your own copy, simply buy one from here or an ecopy from here and then follow the simple steps above.

You won’t regret it, it really is an amazingly useful and informative book … and now that it has added extra ‘me’ … it’s gosh darn near perfect.

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No, YOU spelt ‘genius’ with a ‘j’.

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Categories: Someone Else's Way | 2 Comments

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2 thoughts on “The UK Scriptwriters Survival Handbook

  1. Gill Kirk

    Sold! 😉

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