Posts Tagged With: competition

Shore Scripts short film fund 2018

Over the last year I’ve been intermittently fiddling with a short film script which hasn’t really come together. It’s been one of those ideas that seems great, but after much debate with the director/co-writer and many drafts we’ve come to the conclusion that it just doesn’t work.

Which is a shame, but never mind. These things happen.

If you, on the other hand, have a short you’re happy with and looking to get made then maybe you should check out the ShoreScripts short film fund?

In their own words:

We will be commissioning at least one short film with a budget between $9000-$15,000.

The winning film(s) will be submitted to world-renowned film festivals, as well as being shown to our Oscar winning Judges, Production Companies, Agents and Managers.

The filmmaking team will have the full support of Shore’s staff all the way through the production process, including equipment and post-production service deals.

The fund is open to writers from all countries. Scripts must be in English. If a writer wishes to direct his/her own script, then we are open to this discussion.

These are the two previous winners:

Lift – Directed by Claire Fowler. Starring Leslie Bibb (Iron Man)
The Orgy – Directed by Sam Baron. Starring Alexandra Roach (Black Mirror)

And if you think it’s worth a go, then you can enter here.

Good luck!

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Categories: Opportunity, Someone Else's Way | Tags: , , | Leave a comment

Competition

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Competition. I’m not afraid of it, are you?

That’s not to say I’m confident I can out-write any other writer, far from it. In fact, if anything, I tend to assume everyone else is better than me and I need to try harder.

Those of you who’ve seen any of the films I’ve written might well agree. Those of you who understand the filmmaking process might well decide to reserve judgement until after you’ve read one of the scripts they were loosely based on.

Either way, I rarely compare myself favourably to anyone else.

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And still I’m not afraid of a bit of competition.

Every project I’ve ever worked on has involved a degree of competition. Every co-written job has me jostling with the co-writer to get my ideas and my lines into the script instead of his.

When I was writing sketches, I was competing with dozens of other writers. Sometimes I won, sometimes I didn’t. When I didn’t, it was because I either wasn’t good enough or someone else was just better.

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Every time I submit a script to anyone I’m competing with every other script on the market. Competition is just what the job is … so I was amazed to hear this story from a fellow writer:

The gist of it is she was contacted by a produced and repped writer who had an idea he didn’t have time to write – would she be interested in writing it for him in return for a co-writing credit? There’s no money upfront, but he’ll take it to his agent and hawk it round his producer contacts.

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Now … yeah.

This is a really odd thing for one writer to ask another. It’s just not cricket … but, it’s not unheard of. It does happen. Sort of. I’ve collaborated with friends with no money involved with the intention of selling the script afterwards.

It happens.

I get contacted every couple of months by someone with a similar propostion – will you write my fantastic idea for me? I’ll split the writing credit and if we sell it …

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I’ll write it for a fee for sole writing credit and if you sell it, you can pay me the rest.

These request usually come from people who aren’t writers, producers or anything else in the industry. They come from people who have an (usually crap) idea and a whim.

They rarely consider offering to pay me for my time and effort.

Well, almost never.

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But this case was different.

This was an established writer (ostensibly) looking to enter into a mutually beneficial deal with a new writer. He even offered to let the writer take the script if they couldn’t sell it within a specified time period … so essentially it’s an unproduced writer writing a spec script with the assistance and input of a produced writer who was better placed to sell it than she was.

Probably worth a gamble.

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Hell, she thought, I may even get representation out of it since he’s going to show it to his agent. If I do a good job he’ll probably recommend me.

So she signed a contract (good start) and got to work.

After a lot of faffing and pointless, terrible notes later they had a script he liked. She didn’t, but he clearly knew more than her so she went with his opinion.

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At the end of the specified period, he reneged on the contract because he liked the script and wanted to keep it. She hated the script, so … fine. Keep it. But, um, since you liked my work so much, would you mind recommending me to your agent?

No. Or rather, yes. Yes he would mind. He wasn’t going to recommend her because she writes the same kind of stuff as him and he doesn’t want the competition.

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I believe, correct me if I’m wrong, but this is what the words “utter fucking shitbag” were invented for.

Absolutely fucking appalling behaviour from an utter coward.

I just don’t understand that kind of behaviour. I love championing new writers. I love it when I find someone better than me, because I get to watch something exceptionally well written which I can fall in love with and learn from.

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Michelle Lipton, Piers Beckley, Danny Stack, Rosie Claverton, Dominic Carver, Jason Arnopp, James Moran, Tim Clague, Paul Campbell, Julie Bower … fuck it, everyone on the blogroll to the right, all of them are better writers than me. You should hire them, all of them. You should be banging on their doors (I have their addresses) and offering them work.

But you know what? Come see me too. I may not be as good as them, but I may surprise you.

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Competition is good, it raises the bar for everyone and forces us all to continually up our game.

I’m not afraid of competition and genuinely don’t understand anyone who is.

Categories: Industry Musings, My Way, Someone Else's Way | Tags: | 1 Comment

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