Posts Tagged With: James Bond

When is a plot hole not a plot hole?

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I’ve blogged my thoughts on this before somewhere, citing Skyfall and The Dark Knight Rises, but since Star Wars has been released there’s been a wave of people bringing it up again … so I thought I’d chip in with my own baseless opinions once more.

The grumbling in question (leaving aside all thoughts of Mary Sues) is about …

Oh, wait.

SPOILERS FOR STAR WARS: THE FORCE AWAKENS

MAYBE SOME FOR SKYFALL OR THE DARK KNIGHT RISES TOO

BUT THEN AGAIN, MAYBE NOT

The grumbling is about Poe Dameron ‘magically’ reappearing on … whatever planet it was the Resistance was on. “How did he get from Jakku to … wherever it was?” they cry. “Clearly this is a plot hole!”

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Well, no.

We’ve all seen films where, late at night, the boy and the girl (or boy and boy or girl and girl or … whatever combination you can think of) start to kiss and then, in the very next scene, it’s morning and they’re naked in bed, right?

In between those two scenes, they had sex.

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Shocking, I know, but sometimes things happen between scenes and it’s up to us, the clever audience, to fill in the blanks. Imagine whatever kind of nasty, perverted things you like. Go wild.

In Skyfall, James Bond, a super-spy who’s better than all other super-spies in the entire world gets from one country to another after being pronounced dead … is that really something people can’t fill in the blanks for? They can’t imagine James Bond has illegal connections throughout the world? We can’t imagine he has a stash of fake passports hidden somewhere?

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Really?

Bruce Wayne, a fucking billionaire who’s also Batman (Batman, for fuck’s sake!) makes his way from one country to another without a passport or access to any of his bank accounts … and people can’t imagine some details involving friends he made whilst travelling the world, alone, without his money? They can’t imagine Batman having a string of fake identities around the world? They can’t imagine Batman having contingency plans for everything?

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What about Poe Dameron? The Resistance’s BEST PILOT.

Not a pretty good pilot, but the BEST PILOT.

The best one.

People can’t imagine any conceivable way for the Resistance’s best pilot to get from one planet to another? They can’t imagine a string of resistance-friendly people working in the shadows of every planet? They can’t imagine Poe being able to steal a spaceship, like Rey and Finn do? They can’t imagine him working his passage back to (whatever planet the Resistance is on) by working as a rent boy for the wealthy elite?

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Nothing springs to mind? No thoughts which would convince people this isn’t a plot hole?

Really?

Okay, so maybe it’s an odd story-telling choice to have (what’s supposedly*) a major character disappear for nearly a third of the movie … but it’s not a plot hole.

Neither are any of the other ‘plot holes’ people have been identifying throughout the film.

Rey couldn’t possibly fly the Millennium Falcon.

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Well she does. So at some point she must have learnt/been taught.

Rey couldn’t possibly just know how to use the Force.

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Yet she does, so either someone must have told her in the past and then she’s forgotten only to remember when she most needed it. Or using the Force isn’t that hard – after all, Luke was on Dagobah for about three days and he did okay.

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If you define ‘okay’ as getting your arse kicked and your hand chopped off and otherwise losing completely and totally.

Rey can’t possibly speak Wookie … unless, of course, she’s learnt how to in the past. Perhaps by one of the many, many alien races she seems to have been dealing with on a daily basis since she was dumped on Jakku?

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None of these things are plot holes, they just require an active imagination on behalf of the audience and a little bit of good will.

Because, to answer the question in the title of this blog post, a plot hole isn’t a plot hole when you enjoy the movie. Most things which seem impossible can be explained if you’re willing to think of an explanation.

How did Finn and then Rey hold off a Force user who’s more powerful than any Force user we’ve ever seen before? Well, maybe he’s not more powerful? Maybe he’s good at pausing blaster bolts but sucks at lightsaber duelling. I’m good at some things and not others, maybe he is too? I mean, the kid’s only a teenager for God’s sake. He’s barely past puberty and still seems to be having wild mood swings. And he just killed … you know. And he got shot. It probably wasn’t him at his best.

Why did Artoo wait until the end of the movie to wake up and tell everyone he had the map they were all^ searching for all along? Because … he was a bit sad? Maybe Luke told him to wait until a certain something had happened? Ah, but he’s a robot so his memory’s just like a computer so why can’t Resistance techs just take the info? Well … maybe because in between Return of the Jedi and The Force Awakens the droids have been emancipated and brain-raping one is considered just not cricket? Or maybe their brains don’t work like that?

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Why didn’t Chewie lose his shit when … that thing happened near the end? Because … either it didn’t happen the way we think it did (or at all) or maybe Wookies get over stuff really quickly? Maybe, after a lifetime together, he’d decided that guy was a dick and deserved it?

If you like the film, you can justify pretty much anything. I’ll admit, I prefer to have things foreshadowed a little bit. I don’t mind doing this kind of mental backstory-writing once or twice … but for almost every scene is a little much for me. Probably because I’m lazy. I do this kind of stuff for a living, when I go to the cinema I want someone else to do it for me.

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If you don’t like a film, if you’re not enjoying the experience then moments like these, especially when there are so many, are annoying and frustrating. The best way to enjoy films is to just accept what you’re seeing is possible and has a reason which will be explained later on.

I, for example, was pretty confident Finn was never a Stormtrooper. I fully expected to find out he ran the new Death Star’s sweet shop or something and had snuck into a Stormtrooper’s costume moments before that raid. I just don’t believe he was stolen as a child, brainwashed and trained to fight for somewhere around fifteen years.

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I could have just sat there shouting ‘this is bullshit!’ at the screen … but instead I chose to accept what I was being shown, confident there would be a reveal coming later on. I’m still assuming that will be covered at some point in the future.

Which is a bit of a problem with SW:TFA because the story isn’t finished, it’s not really a film, it’s a piece of a film with lots and lots of stuff unresolved. Presumably in two or four year’s time we’ll understand why people were behaving the way they were.

Basically, try and enjoy a film and assume everything we see is there for a reason. Or else find fault with everything and assume everyone involved did a terrible job.

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Yes, there are ways writers can minimise the latter … but some things will always require a degree of complicity from the audience. Not everything needs to be explained and some things have to be taken on faith. No matter what character Jackie Chan plays, he’ll be a Kung Fu master. It doesn’t need explaining because anyone can train in Kung Fu and be good at it. It’s no stretch to believe a shopkeeper, a doctor or a rock star hasn’t also done twenty years of Kung Fu training.

Basically, if most plot holes aren’t plot holes but merely us picking holes in things because we’re not enjoying the movie, then maybe we should give the film the benefit of the doubt before we cry foul?

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Or don’t, it’s your money.


* I’ve been told he’s a major character and one of the new trilogy of actors who’ll take the series forward. To be honest, that surprised me. I thought he was like Wedge – someone who hangs around in the background but isn’t really a major character.

^ Not all. Leia and Kylo Ren and the CGI baddie (who is so clearly CGI I suspect that’s a plot point. I think that’s probably Luke in disguise and it’s all a plan to … annoy people) – no one else gave a flying fuck where Luke had gone to sulk.

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Categories: Random Witterings, Someone Else's Way | Tags: , , , , , , , , , | Leave a comment

Deleted from a galaxy far, far away …

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Last week, while wallowing in nostalgia for Back to the Future* I managed to sidetrack myself by watching deleted scenes from all three of the Star Wars movies. Specifically, the ones in these videos here:

Don’t worry, I don’t expect you to watch those videos … although they are interesting. Two things struck me though:

  1. It amazes me that I’m still learning things I never knew about Star Wars after 38 years of continuous fandom.
  2. All deleted scenes are essentially the same – deleted for a good reason.

Okay, not all. Barring scenes which were omitted from the theatrical version due to lack of money or interference by people who thought they knew better but didn’t … most deleted scenes are deleted because of pacing or because they restate information the audience already has.

Or both.

In other words, they slow the film down. They’re just not needed.

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All films have scenes like this: subplots which go nowhere, exposition heavy scenes which just aren’t needed, character development scenes which show the character doing character-y things which reinforce the type of character we’d already assumed they were …

And so on.

In retrospect, they’re clearly pointless or a waste of time … so why write them in the first place? If it’s so obvious watching the film, why isn’t it obvious when reading the script?

I mean, okay, writers are in the maze trying to figure their way through … but script readers, directors, producers, they have an overview, don’t they?

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No, not always.

A good director is down there in the maze with you. A good producer might be there too. On the first draft they may have an objective view, sure … but on the tenth? Or the twentieth? Sometimes the opposite thing happens and whole chunks of exposition and character development get deleted because we all know he’s a murderer due to his mum forcing him to wear the wrong colour pants – it’s obvious!

But it’s not. Not to anyone who hasn’t read fifteen drafts of the script, including the fourteen drafts which actually mention the pants in the first place. Sometimes obvious things are a lot less obvious than we imagine.

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Similarly, a script is not a movie. An actor standing on a set, wearing specific clothes under specific lights with specific music playing whilst holding a specific prop against a specific background can convey a lot more information than a single action line in a script.

In a script, you either have to call things out and explicitly state something … or allow the context to build up to an inescapable conclusion.

Often these conclusions are quite escapable because readers all read their own stuff into a script§. Part of the development process is weeding out words which may cause confusion. If a character is a werewolf in half of his scenes and occasionally growls in annoyance when he’s not … well, the word growl is confusing. Is he a wolf at this point or just annoyed?

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Clear on screen, not so clear on the page.

So sometimes whole sequences feel absolutely vital on the page … only to be completely redundant on screen. There’s an oft-quoted story of Steve McQueen crossing out dialogue, knowing he could say it with an expression … and that’s fine. He knows he can do that. Not all actors can. Not all readers/producers/directors can see that expression when it’s written down.

Deleted scenes will always exist because of the disconnect between translating one media (writing) into another (film). Pace on the page doesn’t always equate to pace on screen … and vice versa.

It would be nice to be able to identify which scenes will be deleted before filming. Or even before writing … but I’m not convinced that’s possible. There will always be deleted scenes, most of them are interesting … but ultimately pointless.

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A bit like this post.

I might just delete all the stuff about the elephant.^

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* 2, technically. I guess?

Yes, three. There are only three Star Wars films. Shut up.

Excluding that one summer when my younger brother watched the film once or twice a day, every day for six weeks. That was pretty annoying and almost put me off for life.

Almost.

∞ Underpants, if you’re American – no one ever became a murderer because of their mother’s taste in trousers. That’s just silly.

§ And completed scenes, to be fair. Think of that whisky scene in Skyfall – your interpretation of Bond’s reaction may well decide how you view the rest of the film. Is he hiding how upset he is or is he a callous misogynist~? Bet that was clearer in the script.

~ Who wants to guess how many attempts it took me to spell ‘misogynist’?

^ There is no elephant. Don’t look for the elephant, you’ll never find it.

Categories: Industry Musings, Random Witterings, Things I've Learnt Recently | Tags: , , , , , , | 1 Comment

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